Anthologies

Cover image for the anthology "Bioluminescent: A Lunarpunk Anthology"

Bioluminescent: A Lunarpunk Anthology, edited by Justine Norton-Kertson

Book cover: C.A.T.S. Cycling Across Time and Space

C.A.T.S.: Cycling Across Time and Space, edited by Elly Blue

We Cryptids, edited by Vivian Caethe

Recognize Fascism, edited by Crystal M. Huff

Book Cover for The Death of All Things

The Death of All Things, edited by Laura Anne Gilman and Kat Richardson

Les Cabinets des Polytheistes, edited by Rebecca Buchanan

Poetry

Climbing Lightly Through Forests: A Poetry Anthology Honoring Ursula K. Le Guin, edited by R. B. Lemberg and Lisa M. Bradley

I don’t know if this will make it into the book

When I write out of sequence things don’t always come out right and a lot of it is wasted work, but this bit was in my head so hard I had to write it down. And it’s wee, so I might as well post it as a maybe-teaser or something.

“You can get away with one thing outside of the expected,” said Constance, and then amended, with a slightly narrowed-eyed look at Margaret’s face, “maybe two, if you are lucky, and very, very skilled.” When it seemed there would be no immediate response, she gestured with the hand that was not holding the teacup. “Take a woman as a lover. Become a scientist. Marry a poor man you love rather than a rich man with prospects.” She grinned. “Become a beaconmaster in your own right, your own name. But you must pick one.”

Margaret frowned slightly. “But why?”

“Because one thing makes you eccentric, makes you curious, makes you interesting. It will make people gossip about you at parties, it will make people seek you out for your particular expertise and insight about some things.”

“But why only one?”

“Because with two, you will become scandalous; three, unsavoury; four, perverted. The further away from the expected you go, the more perilous it is. Consider [name].”

Margaret stared into her tea for a long moment. “All right,” she said.

Constance raised her eyebrows. “He liked to… push at social expectation in his art. Satire, cutting wit, the pursuit of pleasures as an aesthete. Sometimes to the extent that it pushed the scandalous, rather than the merely interesting. His feminine manner went the rest of the way to scandal for most, and into unsavoury for some. His choice in lovers….”

“Unsavoury,” said Margaret, quietly, “and some would say perverted.”

“Precisely,” said Constance.

Margaret swallowed and changed the subject. “What do you get away with, then, if you can only choose one or two things?”

Constance waited for her to meet her gaze, and said, “Being black.”

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